Content
Workshops are orientated as intensive sessions of practice and research on performative aspect of using text, body and presence. The interest for performative aspect of scenic practices is intended as a way to create and place oneself as a scenic artist on the key notions of act and action, through commitment, creativity, necessity, boldness and the totalizing presence of the actor /performer. Workshops are based on given tasks to which each participant  respond through a method of improvisations. They also focus on approaching textual material (mainly monologues structures, but not necessarily taken from dramatic texts), as words in action.
 
Philosophy
Centered on the development of the creative personality, while very based on the individuality, the work focuses on an ensemble philosophy. The international dimension of workshops targeted towards a cosmopolite and pluralistic community of artists is also a fundamental part of the work.

WORKSHOPS

Past / Happened

C.A.S in PERFORMANCE AND CONTEMPORARY LIVE ARTS
Practice and research in performing arts: action, performance, theatre, visual environments and soundscapes
 
Pedagogical and Artistic coordinator of the programm
 
Scuola Teatro del movimento
Verscio,  (CH)
http://www.teatrodimitri.ch/scuola/Studium/Weiterbildung/CAS-Performance?lang=en
 
 
 



 

CASO PERFORMANCE ET ARTS DU CORPS

Le Soi en scène - Un texte en actes

 

Décembre 2013, La Cambre Ecole d'Arts visuels -Bruxelles (Belgique) - Caso 2e cycle, M1-M2

 

Un atelier dédié à la notion d’acte performatif. A partir d’un texte écrit par le participant, des tâches visent à transformer l’écrit en actions, qui utilisent la présence, le corps, la parole ou l’image.

TASKS AND IMPROVISATIONS
Finding the action in the monologue
 
On Rimbaud, A season in hell
And Henry Miller, The time of the assassins, An essay on Rimbaud
 
January 2014
Scuola Teatro del movimento
Verscio,  (CH)
Bachelor drama students
 
 
 



 

TASKS AND IMPROVISATIONS
From text to action



Work based on A lover's discourse : fragments by Roland Barthes

 

February / March 2013

Scuola Teatro del movimento- Verscio,  (CH)

Bachelor drama students
PRACTICE AND RESEARCH IN PERFORMATIVE CREATION
Text, body, presence. Act, action, art

 November 2013
 WARSAW (Poland)

1. Working on performative act using presence, body and action through improvisation
2. From text to action. From action to act.


 

 

CASO PERFORMANCE ET ARTS DU CORPS

L'usage de la présence

 

Décembre 2011, La Cambre Ecole d'Arts visuels,Bruxelles (Belgique) - Caso 2e cylce, M1-M2

 

 Au fil des actions nées des différents passages sur le plateau et issues de l’imaginaire singulier de chacun, le texte écrit laisse place à un texte en actes. Le performeur avance comme auteur, guide et révélateur d’un chemin de regard et de vécu intense.

 

 

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